Slavery, War, and a New Birth of Freedom by Jeffrey H. Hacker

Slavery, War, and a New Birth of Freedom by Jeffrey H. Hacker

Author:Jeffrey H. Hacker [Hacker, Jeffrey H.]
Language: eng
Format: epub
ISBN: 9780765683243
Barnesnoble:
Publisher: Taylor & Francis
Published: 2013-11-30T00:00:00+00:00


Howe, Julia Ward

(1819–1910)

A prominent New England abolitionist, social reformer, and poet, Julia Ward Howe is best known for her lyrics to the “Battle Hymn of the Republic,” which inspired Union forces during the Civil War and remains a popular patriotic song to the present day.

A native of New York City, she was born on May 27, 1819, to Samuel Ward, a successful Wall Street banker, and Julia Rush Cutler, a published poet. Reared by governesses after the death of her mother in 1824, she spent her childhood studying Greek and Romance languages with tutors and attended a private school on Fifth Avenue. Reading in the home library, she taught herself math and science— which were excluded from the curriculum of female students—and immersed herself in philosophy, the classics, and contemporary European literature. Thoughtful, independent-minded, and aspiring to the life of a writer, she abandoned her father’s puritanical Calvinism for Unitarianism, began writing verse, and submitted original criticism to the Literary and Theological Review and the New York Review.

In early 1843, she met and married physician and reformer Samuel Gridley Howe, who was 18 years her senior. She called him “Chev” for his honorary title of chevalier in the Greek Revolution during the 1820s. The couple lived in Boston, where Samuel Howe had founded the New England Asylum for the Blind (later the Perkins School for the Blind), the first institution of its kind in America. The couple would have six children together, from 1844 to 1858.

In 1851, Samuel also helped found the Daily Commonwealth, a leading abolitionist journal, which he edited for the next two years with Julia’s assistance. In the meantime, unknown to her husband, she was composing personal spiritual verse that appeared in her first published collection, Passion-Flowers, in December 1853. Reflecting her desire for a career outside the home, which her husband flatly opposed, one poem in the collection, “The Heart’s Astronomy,” acknowledged her ambivalence toward motherhood and her yearning for intellectual liberation.

In 1856, her five-act play Leonora, or the World’s Own pondered questions of gender identity and self-assertion on the stage in New York and Boston. The Howes’ marriage remained stormy, as Julia struggled for the independence, respect, and understanding that conventional morality denied to most women in nineteenth-century America.

Exceedingly well-read and fluent in seven languages, Howe developed friendships with many of Boston’s intellectual elite, including fellow Unitarians and abolitionists William Ellery Channing, Thomas Wentworth Higginson, and Theodore Parker. In 1860, with the conflict over slavery pushing the nation to the brink of war, she became a particular admirer of radical abolitionist William Lloyd Garrison and an active participant in the Underground Railroad.

On November 18, 1861, with the war under way, Julia and Samuel Howe visited Washington, D.C., to review Union troops and to meet President Abraham Lincoln at the White House. Inspired by the visit— and encouraged by traveling companion and abolitionist James Freeman Clarke to write a soldiers’ song to the tune of “John Brown’s Body”—she penned the lyrics to “Battle Hymn of the Republic” early the next morning at the Willard Hotel.



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